The film follows Harrison's story from his early life in Liverpool, the success of Beatlemania, his travels to India, the influence of Indian culture in his music, and his relevance and importance as a member of The Beatles. It consists of previously unseen footage and interviews with Olivia and Dhani Harrison, Pattie Boyd, Paul mcCartney, Ringo Starr, Yoko Ono, George Martin, Eric Clapton, Astrid Kirchher, Klaus Voormann, Eric Idle, Phil Spector, Tom Petty and Mukunda Goswami among others.
zaterdag 29 oktober 2011
George Harrison - Living in the Material World docu part 1 (94 min.)
The film follows Harrison's story from his early life in Liverpool, the success of Beatlemania, his travels to India, the influence of Indian culture in his music, and his relevance and importance as a member of The Beatles. It consists of previously unseen footage and interviews with Olivia and Dhani Harrison, Pattie Boyd, Paul mcCartney, Ringo Starr, Yoko Ono, George Martin, Eric Clapton, Astrid Kirchher, Klaus Voormann, Eric Idle, Phil Spector, Tom Petty and Mukunda Goswami among others.
donderdag 27 oktober 2011
Roxy Music
One of the first concerts I went to was from Roxy Music (Congresgebouw, The Hague, March 6, 1979). Recently I've found the music from this bootleg.
01. Manifesto
02. A Song for Europe
03. Mother of Pearl
04. In Every Dream Home a Heartache
05. Out of the Blue
06. Casanova
07. Both Ends Burning
08. Love is the Drug
09. Virginia Plain
10. Do the Strand
On YT no videotapes of this concert. This brings me to the best of the best first album 'Roxy Music' 1972. Here some video's.
01. Manifesto
02. A Song for Europe
03. Mother of Pearl
04. In Every Dream Home a Heartache
05. Out of the Blue
06. Casanova
07. Both Ends Burning
08. Love is the Drug
09. Virginia Plain
10. Do the Strand
On YT no videotapes of this concert. This brings me to the best of the best first album 'Roxy Music' 1972. Here some video's.
Katmandu
'90's favourite
(lyrics incomplete)
http://www.ludd.luth.se/~silver_p/Muzik/Eng/Lyr/when_the_rain_comes.html
Info about this band on: http://www.mandymeyer.ch/en/home.html and http://www.last.fm/music/Katmandu
(lyrics incomplete)
http://www.ludd.luth.se/~silver_p/Muzik/Eng/Lyr/when_the_rain_comes.html
When the rain comes I'll be walking With the sunshine on my back Ain't got no time for depression I'm so happy (that's a fact) When the rain comes I'll be walking With no tear left in my eye Cause I found out where I'm going Now the water's (-- ?? --) How does it feel when you're twisting in blue (-- ?? --) singin different tunes How can I listen, when I don't even care? Now it's time to discover truth in eachother Do you hear what I'm saying? When the rain comes I'll be walking With the sunshine on my back Ain't got no time for depression I'm so happy that's a fact When the rain comes I'll be walking With no tear left in my eye Cause I found out where I'm going Now the water's (-- ?? --) What do you want? I say what do you need? Love is the answer Now get it for free! No need to worry When your (scar's turning gray) (with hearts/arms) open wide Come on inside I'll take all your blues away When the rain comes I'll be walking With the sunshine on my back Ain't got no time for depression I'm so happy that's a fact (solo) When the rain comes I'll be walking With no tear left in my eye Cause I found out where I'm going Now the water's (-- ?? --) (voice) Most people break down into tears when they get a death threat! Because she's on television this makes some kind of a difference? Rain come down! When the rain comes I'll be walking With the sunshine on my back Ain't got no time for depression I'm so happy that's a fact When the rain comes I'll be walking With no tear left in my eye Cause I found out where I'm going Now the water...........
woensdag 26 oktober 2011
dinsdag 25 oktober 2011
Love Sculpture - mars (1970)
Great song, really prefer this one to be much longer, nonetheless it blows me away!
Love Sculpture was a British blues-rock band of the late 1960s, led by Dave Edmunds, plus bassist John Williams (born John David Williams, 19 January 1946, in Cardiff, Wales) and drummer Rob ‘Congo’ Jones (born Robert Jones, 13 August 1946, in Barry, South Wales).
They formed in Cardiff in 1966, and disbanded in 1970, although Edmunds went on to enjoy solo success in the 1970s. They are best known for their 1968 novelty hit, a cover version of the classical piece “Sabre Dance”, by Aram Khachaturian. Other songs included: “Land of the Few”, “Summertime” and “You Can’t Catch Me”.
source: http://www.last.fm/music/Love+Sculpture
They formed in Cardiff in 1966, and disbanded in 1970, although Edmunds went on to enjoy solo success in the 1970s. They are best known for their 1968 novelty hit, a cover version of the classical piece “Sabre Dance”, by Aram Khachaturian. Other songs included: “Land of the Few”, “Summertime” and “You Can’t Catch Me”.
source: http://www.last.fm/music/Love+Sculpture
maandag 24 oktober 2011
Mij - Yodeling Astrologer
Mij - “Yodeling Astrologer” (aka: Color By The Number) 1969
01. Two Stars 3:54
02. Grok (Martian Love Call) 7:03
03. Romeo & Juliet 3:15
04. Little Boy 4:17
05. Lookin' Out Today 3:40
06. Door Keys 4:46
07. Planet of a Flower 4:18
08. Never Be Free 4:23
09. Look Into The (K)Night 8:04
Jim Holmberg is an American singer and songwriter. His only album, on which he was credited as Mij ("Jim" spelled backwards), was released by ESP Records in 1969, and has been described as "one of the best and strangest cosmic folk records of the 1960s".
Eventually released in September 1969, the record was not commercially successful, and Holmberg disappeared from view for several decades. He worked as an electronic and computer technician in the aerospace industry in California and also spent several years in Japan. Until the album was reissued by ESP in 2009, he was unaware of the fact that it had become a cult collectors' item.
vrijdag 21 oktober 2011
David Bowie quote
"Frankly, I mean, sometimes the interpretations I've seen on some of the songs that I've written are a lot more interesting than the input that I put in".
David Bowie
David Bowie
woensdag 19 oktober 2011
Crosby, Stills & Nash - CSN boxset 1991
An evening with CSN, really glad I found full infomation about this great boxset.
All info comes from:
http://en.wikipedia.org/wiki/CSN_%28box_set%29
This box features material from their albums as a group in addition to selections from their various solo and duet albums. It also features many outtakes, including from sessions that did not result in an album by the group. Highlights include a cover of The Beatles "Blackbird" and the full length take of "Almost Cut My Hair." With the exception of "Helpless" and "Ohio" the set excludes any material written by occasional bandmate Neil Young.
Disc one
1. Suite: Judy Blue Eyes- Recorded at Wally Heider's Studio III, Los Angeles, early 1969
- Engineer: Bill Halverson
- Produced by Crosby, Stills & Nash
- Song originally released on Crosby, Stills & Nash May 29, 1969
- Unreleased Alternate Mix
- Original 7.5 ips tape courtesy of the Joel Bernstein Collection
- Recorded at Sunwest Studio, Los Angeles. June 15, 1969
- Engineer: David Hassinger
- Produced by Crosby, Stills, Nash & Young
- Mixed by Stephen Barncard, June 19, 1991
- Song originally released on Crosby, Stills & Nash May 29, 1969
- Unreleased live studio version
- Recorded at The Record Plant, NYC, December 1968
- Engineer: Paul A. Rothchild
- Produced by Paul A. Rothchild
- Song originally released on Crosby, Stills & Nash May 29, 1969
- Unreleased first Crosby, Stills & Nash recording
- Recorded at Wally Heider's Studio III, Los Angeles, February 20, 1969
- Engineer: Bill Halverson
- Produced by Crosby, Stills & Nash
- Originally released on Crosby, Stills & Nash May 29, 1969
- Recorded at United Studio B, Hollywood, June 26, 1968
- Engineer: Bill Halverson
- Produced by David Crosby
- Mixed by Stephen Barncard, June 30, 1991
- Song originally released on Crosby, Stills & Nash May 29, 1969
- Unreleased early demo
- Recorded at Wally Heider's Studio III, Los Angeles, early 1969
- Engineer: Bill Halverson
- Produced by Crosby, Stills & Nash
- Originally released on Crosby, Stills & Nash May 29, 1969
- Recorded at Wally Heider's Studio III, Los Angeles, early 1969
- Engineer: Bill Halverson
- Produced by Crosby, Stills & Nash
- Originally released on Crosby, Stills & Nash May 29, 1969
- Recorded at Wally Heider's Studio III, Los Angeles, February 11, 1969
- Engineer: Bill Halverson
- Produced by Crosby, Stills & Nash
- Mixed by Stephen Barncard, August 1, 1991
- Composition originally released on The Beatles’ “White Album”
- Unreleased live studio recording
- Recorded at Wally Heider's Studio III, Los Angeles, early 1969
- Engineer: Bill Halverson
- Produced by Crosby, Stills & Nash
- Originally released on Crosby, Stills & Nash May 29, 1969
- Recorded at Wally Heider's Studio A, San Francisco, November 17, 1969
- Engineer: Stephen Barncard
- Produced by Crosby, Stills & Nash
- Mixed by Stephen Barncard, June 20, 1991
- Song originally released on David Crosby's If I Could Only Remember My Name, February 22, 1971
- Unreleased live studio version
- Recorded at Wally Heider's Studio C, San Francisco, June 9, 1970
- Engineer: Bill Halverson
- Produced by Crosby, Stills, Nash & Young
- Song originally released on Déjà Vu, March 11, 1970
- Unreleased unedited original version
- Recorded at Wally Heider's Studio C, San Francisco, October 24, 1969
- Engineer: Bill Halverson
- Produced by Crosby, Stills, Nash & Young
- Originally released on Déjà Vu, March 11, 1970
- Recorded at Stephens House, Laurel Canyon, Los Angeles; and at Wally Heider’s Studio III, Los Angeles, December 28, 1969
- Engineer: Bill Halverson
- Produced by Crosby, Stills, Nash & Young
- Mixed By Stephen Barncard, June 17, 1991
- Unreleased Song
- Recorded at Wally Heider's Studio C, San Francisco, November 17, 1969
- Engineer: Bill Halverson
- Produced by Crosby, Stills, Nash & Young
- Originally released on Déjà Vu, March 11, 1970
- Recorded at Wally Heider's Studio C, San Francisco, November 7, 1969
- Engineer: Bill Halverson
- Produced by Crosby, Stills, Nash & Young
- Originally released on Déjà Vu, March 11, 1970
- Recorded at Wally Heider's Studio III, Los Angeles, July 16, 1969
- Engineer: Bill Halverson
- Produced by Crosby, Stills, Nash & Young
- Mixed by Stephen Barncard July 1, 1991
- Song originally released on Déjà Vu, March 11, 1970
- Unreleased alternate mix
- Recorded at Wally Heider's Studio C, San Francisco, October 24, 1969
- Engineer: Stephen Barncard, assisted by Ellen Burke
- Produced by David Crosby
- Originally released on If I Could Only Remember My Name, February 22, 1971
- Recorded at Wally Heider's Studio C, San Francisco, December 28, 1969
- Engineer: Bill Halverson
- Produced by Crosby, Stills, Nash & Young
- Originally released on Déjà Vu, March 11, 1970
Disc two
1. Woodstock- Recorded at Wally Heider’s Studio C, San Francisco, November 5, 1969
- Engineer: Russ Gary
- Mixed by Russ Gary, November 5, 1969
- Produced by Crosby, Stills, Nash & Young
- Song originally released on Déjà Vu, March 11, 1970
- Unreleased 1969 alternate mix
- Recorded at Record Plant Studio 3, Los Angeles, May 21, 1970
- Engineer: Bill Halverson
- Produced by Crosby, Stills, Nash & Young
- Originally released as a CSN&Y single, June 4, 1970
- Recorded at Island Studio, London, England, March 1970
- Engineer: Andy Johns
- Produced by Stephen Stills & Bill Halverson
- Originally released on Stephen Stills, November 16, 1970
- Recorded at Wally Heider’s Studio III, Los Angeles, November 5, 1969
- Engineer: Bill Halverson
- Produced by Crosby, Stills, Nash & Young
- Song originally released on Déjà Vu, March 11, 1970
- Recorded at Island Studio, London, England
- Engineer: Andy Johns
- Produced by Stephen Stills & Bill Halverson
- Originally released on Stephen Stills, November 16, 1970
- Recorded at Stephen’s house, Laurel Canyon, Los Angeles, December 28, 1969
- Vocal overdubs: Sunset Sound, Los Angeles, August 1, 1991
- Engineer: Bill Halverson
- Produced by Crosby, Stills, Nash & Young
- Mixed by Stephen Barncard, August 2, 1991
- Song originally released on Four Way Street, April 17, 1971
- Unreleased version
- Recorded at A&M Studio C, Los Angeles, Fall 1970
- Engineer: Henry Lewy, Stephen Barncard assisted by Ellen Burke
- Produced by Neil Young, Graham Nash
- Originally released on If I Could Only Remember My Name, February 22, 1971
- Recorded at Wally Heider’s Studio A, San Francisco, Fall 1970
- Engineer: Stephen Barncard assisted by Ellen Burke
- Produced by David Crosby
- Originally released on If I Could Only Remember My Name, February 22, 1971
- Recorded at the Filmore East, NYC, June 7, 1970
- Engineer: Bill Halverson
- Produced by Crosby, Stills, Nash & Young
- Mixed by Stephen Barncard, June 30, 1991
- Song originally released on Graham Nash’s Songs For Beginners. May 28, 1971,
- Unreleased live version
- Recorded at the Filmore East, NYC, June 7, 1970
- Engineer: Bill Halverson
- Produced by Crosby, Stills, Nash & Young
- Mixed by Stephen Barncard, June 18, 1991
- Song originally released on Stephen Stills, November 16, 1970
- Unreleased live version
- Recorded at Wally Heider’s Studio III, Los Angeles, February 12, 1971
- Engineer: Larry Cox
- Produced by Graham Nash
- Mixed by Glen Johns at Island Studios, London, England, February 28, 1971
- Originally released on Songs For Beginners, May 28, 1971
- Recorded at The Record Plant Studio 3, Los Angeles, June 22, 1971
- Engineer: Gary Kellgreen
- Produced by David Crosby, Graham Nash
- Song first released as George Hamilton IV single, 1967. Joni’s own version did not appear until 1972, as the flip side of her “You Turn Me On, I’m A Radio.”
- Unreleased version
- Original tape courtesy of the Joel Bernstein Collection
- Recorded at Wally Heider’s Studio C, San Francisco, January 9, 1971
- Engineer: Stephen Barncard
- Produced by Graham Nash
- Mixed by Glen Johns at Island Studios, London, England, February 28, 1971
- Originally released on Songs For Beginners, May 28, 1971
- Recorded at Wally Heider’s Studio C, San Francisco, July 24, 1970
- Engineer: Larry Cox
- Produced by Stephen Barncard, August 1, 1991
- Original mix released on Songs For Beginners, May 28, 1971
- Unreleased alternate mix
- Recorded at Wally Heider’s Studio 3, San Francisco, January 6, 1972
- Engineer: Bill Halverson, assisted by Doc Storch
- Produced by David Crosby, Graham Nash, Bill Halverson
- Originally released on Graham Nash/David Crosby, April 5, 1972
- Recorded at Island Studios, London, England
- Engineer: Bill Halverson
- Produced by Stephen Stills & Bill Halverson
- Originally released on Stephen Stills 2, June 30, 1971
- Recorded at Wally Heider’s Studio, Los Angeles, April 18, 1975
- Engineer: Bill Halverson
- Produced by Stephen Stills
- Unreleased song
- Recorded at Island Studios, London, England
- Engineer: Bill Halverson
- Produced by Stephen Stills & Bill Halverson
- Originally released on Stephen Stills 2, June 30, 1971
- Recorded at Criteria Sound Studios, Miami, January 8, 1972
- Engineers: Ron Albert & Howard Albert
- Produced by Stephen Stills, Chris Hillman, and Dallas Taylor
- Originally released on Manassas, April 12, 1972
- Recorded at Criteria Sound Studios, Miami, Florida, January 9, 1972
- Engineers: Ron Albert & Howard Albert
- Produced by Stephen Stills, Chris Hillman, and Dallas Taylor
- Originally released on Manassas, April 12, 1972
- Recorded at Criteria Sound Studios, Miami, 1975
- Engineers: Ron Albert & Howard Albert
- Produced by Stephen Stills with Bill Halverson
- Originally released on Stills, June 1975
Disc three
1. See The Changes- Recorded at Broken Arrow Ranch, June 28, 1973
- Engineer: Elliot Mazer assisted by Tim Mulligan
- Produced by Crosby, Stills, Nash & Young
- Mixed by Stephen Barncard, June 20, 1991
- Composition first released on CSN. June 17, 1977
- Unreleased version
- Recorded at Criteria Sound Studios, Miami, January 7, 1972
- Engineers: Ron Albert & Howard Albert
- Produced by Stephen Stills, Chris Hillman, and Dallas Taylor
- Originally released on Manassas, April 12, 1972
- Recorded at Wally Heider’s Studio C, San Francisco, February 9, 1972
- Engineer: Bill Halverson assisted by Doc Storch
- Produced by David Crosby, Graham Nash, Bill Halverson
- Originally released on Graham Nash/David Crosby, April 5, 1972
- Recorded at Wally Heider’s Studio C, San Francisco, February 28, 1971
- Engineer: Larry Cox
- Mixed by Glyn Johns at Island Studios, London, England
- Produced by Graham Nash
- Originally released on Songs For Beginners, May 28, 1971
- Recorded at The Record Plant, Sausalito, December 16, 1974
- Engineers: Ron Albert & Howard Albert
- Produced by Crosby, Stills, Nash & Young and Ron Albert and Howard Albert
- Mixed by Stephen Barncard, June 26, 1991
- Song originally released on Crosby & Nash’s Wind On The Water, September 15, 1975
- Unreleased version
- Recorded at Wally Heider’s Studio C, San Francisco, November 22, 1971
- Engineer: Bill Halverson assisted by Doc Storch
- Produced by David Crosby, Graham Nash, Bill Halverson
- Originally released on Graham Nash/David Crosby, April 5, 1972
- Recorded at Wally Heider’s Studio C, San Francisco, December 13, 1971
- Engineer: Bill Halverson assisted by Doc Storch
- Produced by David Crosby, Graham Nash, Bill Halverson
- Originally released on Graham Nash/David Crosby, April 5, 1972
- Recorded at the Sound Lab, Los Angeles, March 1975
- Engineers: Don Gooch, Stephen Barncard, assisted by Stanley Johnstone
- Produced by David Crosby, Graham Nash
- Originally released on Wind On The Water, September 15, 1975
- Recorded at the Sound Lab, Los Angeles, June 18, 1975
- Engineers: Don Gooch, Stephen Barncard, assisted by Stanley Johnstone
- Produced by David Crosby, Graham Nash
- Originally released on Wind On The Water, September 15, 1975
- Recorded at the Sound Lab, Los Angeles, June 8, 1975
- Engineers: Don Gooch
- Produced by David Crosby, Graham Nash
- Originally released on Wind On The Water, September 15, 1975
A. Critical Mass
- Recorded at His Masters Wheels and Rudy Recorders, San Francisco, May 11, 1975
- Engineer: Stephen Barncard
- Produced by David Crosby, Graham Nash
- Originally released on Wind On The Water, September 15, 1975
- Recorded at Village Recorders, Los Angeles, July 1, 1975
- Engineers: Don Gooch, Stephen Barncard, assisted by Stanley Johnston
- Produced by David Crosby, Graham Nash
- Originally released on Wind On The Water, September 15, 1975
- Recorded at Graham’s house and at Rudy Recorders, San Francisco, Spring 1973
- Engineer: Don Gooch
- Produced by Graham Nash
- Originally released on Wild Tales, January 2, 1974
- Recorded at Graham’s house and at Rudy Recorders, San Francisco, April 18, 1973
- Engineer: Don Gooch
- Produced by Graham Nash
- Originally released on Wild Tales, January 2, 1974
- Recorded at Criteria Sound Studios, Miami, April 1, 1976
- Engineers: Ron Albert & Howard Albert, assisted by Steve Gursky
- Produced by Ron Albert & Howard Albert and Crosby, Stills, Nash & Young
- Mixed by Stephen Barncard, June 19, 1991
- Song originally released on Crosby & Nash’s Whistling Down The Wire, 1976
- Unreleased CSN&Y version
- Recorded at Criteria Sound Studios, Miami, January 12, 1977
- Engineers: Ron Albert & Howard Albert, assisted by Steve Gursky
- Produced by Crosby, Stills & Nash and Ron Albert & Howard Albert
- Originally released CSN, June 17, 1977
- Recorded at Criteria Sound Studios, Miami, December 19, 1976
- Engineers: Ron Albert & Howard Albert, assisted by Steve Gursky
- Produced by Crosby, Stills & Nash and Ron Albert & Howard Albert
- Originally released CSN, June 17, 1977
- Recorded at Criteria Sound Studios, Miami, January 14, 1977
- Engineers: Ron Albert & Howard Albert, assisted by Steve Gursky
- Produced by Crosby, Stills & Nash and Ron Albert & Howard Albert
- Originally released CSN, June 17, 1977
- Recorded live in Portland, Oregon, December 15, 1982
- Engineers: Stanley Johnston, Steve Gursky
- Produced by Crosby, Stills & Nash and Stanley Johnson
- Song originally released on CSN, June 17, 1977
- This version originally released on Allies, June 6, 1983
- Recorded at Criteria Sound Studios, Miami, January 22, 1977
- Engineers: Ron Albert & Howard Albert, assisted by Steve Gursky
- Produced by Crosby, Stills & Nash and Ron Albert & Howard Albert
- Originally released CSN, June 17, 1977
Disc four
1. Wasted On The Way- Recorded at Rudy Recorders, Los Angeles, November 30, 1980-January 30, 1981
- Engineer: Stanley Johnston
- Produced by Crosby, Stills & Nash, Stanley Johnston and Steve Gursky
- Originally released on Daylight Again, June 21, 1982
- Recorded at Britannia Studios, Los Angeles, April 4, 1979
- Engineer: Stanley Johnston
- Produced by Graham Nash & Stanley Johnston
- Originally released on Earth And Sky, February 15, 1980
- Recorded at Rudy Recorders, Los Angeles, 1981
- Engineer: Stanley Johnston & Steve Gursky
- Produced by Crosby, Stills & Nash, Stanley Johnston and Steve Gursky
- Originally released on Daylight Again, June 21, 1982
A. Daylight Again
B. Find The Cost Of Freedom
- Recorded at Rudy Recorders, Los Angeles, 1981
- Engineer: Stanley Johnston
- Produced by Crosby, Stills & Nash, Stanley Johnston and Steve Gursky
- Originally released on Daylight Again, June 21, 1982
- Recorded at Criteria Sound Studios, Miami, early 1978
- Engineers: Ron Albert & Howard Albert and Steve Gursky
- Produced by Stephen Stills and Ron Albert & Howard
- Originally released on Thoroughfare Gap, September, 1978
- Recorded at the Universal Amphitheatre, Los Angeles, August 3, 1979
- Engineer: Stanley Johnston
- Produced by Graham Nash and Stanley Johnston
- Mixed by Stephen Barncard, July 1, 1991
- Song originally released on Wild Tales, January 2, 1974
- Unreleased live version
- Recorded at Rudy Recorders, Los Angeles, November 17, 1980
- Engineers: Stanley Johnston, Steve Gursky and Don Gooch
- Produced by Stephen Stills & Graham Nash, Stanley Johnston & Steve Gursky
- Mixed by Don Gooch, Graham Nash, and Gerry Tolman
- Composition first released on Traffic’s Mr. Fantasy, January, 1968
- Unreleased version
- Recorded at Criteria Sound Studios, Miami, January 25, 1977
- Engineers: Ron Albert & Howard Albert assisted by Steve Gursky
- Produced by Crosby, Stills & Nash and Ron Albert & Howard
- Originally released on CSN, June 17, 1977
- Recorded live at the United Nations General Assembly Hall, NYC, November 18, 1989
- Recorded and mixed live to air by Stanley Johnston
- Produced by Crosby, Stills & Nash
- Song originally released on American Dream, November 3, 1988
- Unreleased version
- Recorded at Devonshire Sound Studio 3, Los Angeles, (no date)
- Engineer: Stanley Johnston
- Produced by David Crosby, Craig Doerge, and Stanley Johnston
- Originally released on Oh Yes I Can, January 23, 1989
- Recorded at Rudy Recorders, Los Angeles, January 1981
- Engineer: Stanley Johnston & Steve Gursky
- Produced by Crosby, Stills & Nash, Stanley Johnston and Steve Gursky
- Mixed by Stephen Barncard, June 30, 1991
- Originally released on Stills, June 1975
- Unreleased version
- Recorded at Criteria Sound Studios, Miami; DB Sounds, Miami; Westlake Audio, Los Angeles; Jimmy Page recorded at Sol Studio, Maidstone, U.K., 1983
- Engineers: Ron Albert & Howard Albert
- Produced by Ron Albert & Howard Albert and Stephen Stills
- Originally released on Right By You, July 30, 1984
- Recorded at the Sound Labs, Los Angeles, 1978
- Engineers: Ron Albert & Howard Albert
- Produced by Crosby, Stills & Nash and Ron Albert & Howard Albert
- Song originally released on Oh Yes I Can, January 23, 1989
- Unreleased version
- Recorded at Devonshire Sound Studio 3, Los Angeles, May 1980
- Engineer: Stanley Johnston
- Produced by Stanley Johnston and Craig Doerge
- Originally released on Daylight Again, June 21, 1982
- Recorded at Redwood Digital, Woodside, California, 1988
- Engineer: Niko Bolas
- Produced by Niko Bolas and Crosby, Stills, Nash & Young
- Song originally released on American Dream, November 3, 1988
- Unreleased version
- Recorded at the Record Plant, Studio I, Los Angeles, February 2, 1990
- Engineer: Stanley Johnston, assisted by Jim Mitchell
- Produced by Crosby, Stills, & Nash, Joe Vitale, and Stanley Johnston
- Released on Live It Up, June 11, 1990
- Recorded at the Record Plant, Studio I, Los Angeles, April 3, 1990
- Engineer: Stanley Johnston, assisted by Jim Mitchell
- Produced by Crosby, Stills, & Nash, Joe Vitale, and Stanley Johnston
- Released on Live It Up, June 11, 1990
- Recorded at the Devonshire Studio 3, Los Angeles, February 1, 1989
- Engineer: Stanley Johnston, assisted by Jim Mitchell
- Produced by Crosby, Stills, & Nash, Joe Vitale, and Stanley Johnston
- Released on Live It Up, June 11, 1990
- Recorded at the Record Plant, Los Angeles, May 21, 1970
- Engineer: Bill Halverson
- Produced by Crosby, Stills, Nash & Young
- Originally released as the b-side of the “Ohio” single, June 4, 1970
.
Fantasy
Progressive rock masterpieces from early '70's in my top 10 best albums.
The story of this band started at the Chapel Farm, a farmhouse near Gravesend (Kent) were the band had their first rehearsals. It was the family home of singer Paul Petley, other musicians were Geoff Whitehorn (electric guitar), Paul Lawrence (acoustic guitar/vocals), David Metcalfe (keyboards), David Read (bass guitar) and Brian Chatham (drums), later replaced by John Webster. The lead guitar was by the promising Bob Vann but he died in a car accident, he was replaced by Pete James. The new line-up Fantasy sent a demo tape to the label Decca and changed their name in Firequeen. But Polydor was also interested and they pursuaded the band to sign for them. Again the band decided to change their name, it became Fantasy, a name that fitted more to the style and flavour of the music. The debut album was called "Paint A Picture" and released in '73 (now on cd). Soon Fantasy belonged to the past, the tapes for a next album remained in the vaults of time. Fortunately the label Audio Archives released these tapes as a cd called "Beyond The Beyond". This one is an absolute beauty and it contains nine very refined compositions with warm vocals and 12-string acoustic guitars, flowing and sensitive electric guitar and lots of Hammond organ and Mellotron. The highlight on this album is the track Alexandrie (almost 9 minutes) with the Mellotron in all its splendor: majestic eruptions and beautiful waves along a typical Sixties sounding organ.
source: http://ezhevika.blogspot.com/2006/10/fantasy-paint-picture-1972.html
Note:
2 more albums:
In '94, Audio Archives put out another Fantasy album, Vivariatum (made up of early- and late-period demos, plus a b-side from the Paint a Picture sessions
Most of the best tracks from Vivariatum, minus the b-side, were added to the Beyond the Beyond tracks, along with a previously-unavailable demo, as Beyond the Beyond Plus.
maandag 17 oktober 2011
Thomas mcRocklin
In my search for 'artists and what became of them' is this about Thomas McRocklin. He was the 11 year old boy who played little Stevie Vai in Steve Vai's video-clip 'The Audience is Listening'. Of course Steve Vai was playing the guitar himself, but Thomas is also a real guitar player (see the clip below).
In an eightees interview with Steve Vai on MTV's Headbangers Ball he spoke about Thomas how he met him when he appears at his dressing-room playing guitar which resulted in an appearance in the video.
After Bad 4 Good he only made one solo-album and begun working in a music store.
http://rateyourmusic.com/artist/bad_4_good
zondag 16 oktober 2011
donderdag 13 oktober 2011
woensdag 12 oktober 2011
David Bowie - Letter to Hermione > Songfacts
David met Hermione Farthingale whilst they were both taking dancing lessons from Lindsey Kemp at the Dance Central in London. They split up in 1969 after she met an American dancer and musician Stephen Reinhardt whilst they were working on the movie Song of Norway. The hand that wrote this letter Sweeps the pillow clean So rest your head and read a treasured dream I care for no one else but you I tear my soul to cease the pain I think maybe you feel the same What can we do? I'm not quite sure what we're supposed to do So I've been writing just for you They say your life is going very well They say you sparkle like a different girl But something tells me that you hide When all the world is warm and tired You cry a little in the dark Well so do I I'm not quite sure what you're supposed to say But I can see it's not okay He makes you laugh He brings you out in style He treats you well And makes you up real fine And when he's strong He's strong for you And when you kiss It's something new But did you ever call my name Just by mistake? I'm not quite sure what I'm supposed to do So I'll just write some love to you
David, Hermione and John Hutchinson as 'The Feathers'.
David, Hermione and John Hutchinson as 'The Feathers'.
dinsdag 11 oktober 2011
The Rolling Stones - a parody
Stones lip syncing parody on the Sonny & Cher song I've got you babe
-upon recording and releasing the song, "I Got You Babe" became the duo's biggest single, their signature song and a defining recording of the early hippie countercultural movement. In August 1965, the single spent three weeks at the #1 spot on the Billboard Hot 100 and #19 on the R&B charts in the United States. The duo's single also hit #1 in the United Kingdom and was subsequently included on their debut album Look at Us.
The song placed at #444 on Rolling Stone's list of the 500 Greatest Songs of all time.
source:
http://en.wikipedia.org/wiki/I_Got_You_Babe
maandag 10 oktober 2011
The Golden Earring - 50 years
50 (!) years The Golden Earring and with that the oldest rockband in Holland's musichistory. To celebrate this a very special postage stamp is issued by TNT-Post commemorate their anniversary, using special device on this stamp and their worldhit 'radar love' will play.
The band was founded on 2nd September, 1961 in The Hague started under the name 'The Tomados' by
George Kooymans (13 years old then) and Rinus Gerritsen. In 1962 they changed the name in The Golden Earrings. The 's', they dropped in 1969.
Current members of Golden Earring are Barry Hay (vocals, guitar, flute and saxophone, member since 1968), George Kooymans (vocals and guitar, founder of band), Rinus Gerritsen (bass and keyboard, founding member), and Cesar Zuiderwijk (drums and percussion, member since 1970). Golden Earring have sold millions of albums worldwide, and they are one of the longest existing rock bands in the world that are currently performing in the same line up.
The band was founded on 2nd September, 1961 in The Hague started under the name 'The Tomados' by
George Kooymans (13 years old then) and Rinus Gerritsen. In 1962 they changed the name in The Golden Earrings. The 's', they dropped in 1969.
Current members of Golden Earring are Barry Hay (vocals, guitar, flute and saxophone, member since 1968), George Kooymans (vocals and guitar, founder of band), Rinus Gerritsen (bass and keyboard, founding member), and Cesar Zuiderwijk (drums and percussion, member since 1970). Golden Earring have sold millions of albums worldwide, and they are one of the longest existing rock bands in the world that are currently performing in the same line up.
dinsdag 4 oktober 2011
Lamp of the Universe
Lamp Of The Universe is a solo project from Datura (New-Zealand stoner band) bassist and vocalist Craig Williamson.
Just wonderful lay back and relax music.
Lamp Of The Universe (the solo project of Datura's bassist Craig Williamson) was devoted to chanted shoegaze-ragas that could achieve a degree of complexity worthy of the avantgarde, like a lo-fi version of Peter-Michael Hamel or a looser version of Donovan during his Eastern phase. After the tentative The Cosmic Union (Cranium, 2001), containing Lotus of a Thousand Petals, and Echo In Light (Cranium, 2001), containing the ten-minute Our Celestial Flow, the eight-minute Pyramids of Sam and the 17-minute Dream Sequence, Williamson achieve an eerie synthesis with Heru (Barl Fire, 2005), a seven-movement chamber symphony for sitar, tabla, synthesizer and guitar (the same instrumentation he had used on previous albums but here better integrated). Earth Spirit & Sky (Cranium, 2005) and the four lengthy jams of From The Mystic Rays Of Astrological Light (Astral Projection, 2006) tried different avenues but his best moments remained tied to that original idea. Arc Of Ascent (Astral Projection, 2007), the most static and purest of his recordings, contained two lengthy droning improvisations. Acid Mantra (Astral Projection, 2009) experiments with freak-folk and drums.
source: http://www.scaruffi.com/vol7/datura.html
Just wonderful lay back and relax music.
Lamp Of The Universe (the solo project of Datura's bassist Craig Williamson) was devoted to chanted shoegaze-ragas that could achieve a degree of complexity worthy of the avantgarde, like a lo-fi version of Peter-Michael Hamel or a looser version of Donovan during his Eastern phase. After the tentative The Cosmic Union (Cranium, 2001), containing Lotus of a Thousand Petals, and Echo In Light (Cranium, 2001), containing the ten-minute Our Celestial Flow, the eight-minute Pyramids of Sam and the 17-minute Dream Sequence, Williamson achieve an eerie synthesis with Heru (Barl Fire, 2005), a seven-movement chamber symphony for sitar, tabla, synthesizer and guitar (the same instrumentation he had used on previous albums but here better integrated). Earth Spirit & Sky (Cranium, 2005) and the four lengthy jams of From The Mystic Rays Of Astrological Light (Astral Projection, 2006) tried different avenues but his best moments remained tied to that original idea. Arc Of Ascent (Astral Projection, 2007), the most static and purest of his recordings, contained two lengthy droning improvisations. Acid Mantra (Astral Projection, 2009) experiments with freak-folk and drums.
source: http://www.scaruffi.com/vol7/datura.html
maandag 3 oktober 2011
Shawn Phillips
Shawn Phillips (born February 3, 1943, Fort Worth, Texas, USA) is a fol-rock musician, primarily influential in the 1960s and 1970s.
Phillips has recorded twenty albums and worked with musicians including Donovan, paul Buckmaster, J. Peter Robinson, Eric Clapton, Steve Winwood, Bennie Taupin and many others.The Texas-born singer/songwriter was called "The best kept secret in the music business" by the late rock impresario Bill Graham.
He recorded his first album back in 1964, the first of nineteen more.
a very young Shawn together with Donovan.
Phillips has recorded twenty albums and worked with musicians including Donovan, paul Buckmaster, J. Peter Robinson, Eric Clapton, Steve Winwood, Bennie Taupin and many others.The Texas-born singer/songwriter was called "The best kept secret in the music business" by the late rock impresario Bill Graham.
He recorded his first album back in 1964, the first of nineteen more.
a very young Shawn together with Donovan.